The Exorcist Effect is a fascinating historical study of the ongoing relationship between horror movies and Western religious culture, with a focus on the period from 1968 to the modern day. Taking its name from the 1973 film The Exorcist, which was widely understood to be based on a true story, this book outlines a cycle in which religious beliefs and practices become the basis of films that in turn inspire religious beliefs, practices, and experiences in response. Authors Joseph P. Laycock and Eric Harrelson draw heavily from archival research to shed new light on the details of this phenomenon, in addition to incorporating interviews with horror authors, film writers, and paranormal investigators.
Drawing on psychology, sociology, and folklore studies, Laycock and Harrelson theorize how film informs religious experience and shapes religious culture. The Exorcist Effect examines the production and reception of Rosemary's Baby (1968), The Exorcist (1973), and The Omen (1976) as seminal films in the genre; figures as Malachi Martin as well as Ed and Lorraine Warren, who inserted themselves directly into the spotlight, and the horror films that influenced and were inspired by their careers; and areas of culture where the influence of this cycle was most apparent-the Satanic Panic, religious exorcisms, and moral panic over heavy metal and the messages it was purported to spread. The final chapter considers the QAnon conspiracy theory and its numerous allusions to film as a contemporary manifestation of "The Exorcist effect."
Ultimately, The Exorcist Effect is a deftly researched and compelling volume that is sure to interest horror buffs, religious scholars, and historians alike.
The Exorcist Effect examines the relationship between horror films and religious culture, focusing on the period from 1968 to the present. Films like Rosemary's Baby (1968), The Exorcist (1973), and The Omen (1976) claimed to be based on actual events, religious traditions, and Biblical texts. These films inspired subsequent beliefs and experiences, which became the basis for yet more horror films. This book draws on archival research to shed new light on such figures as Ed and Lorraine Warren and Malachi Martin, who inserted themselves into this cycle. It also incorporates interviews with horror authors, film writers, and paranormal investigators.
The Exorcist Effect: Horror, Religion, and Demonic Belief, the latest book from Joseph Laycock, with co-author Eric Harrelson, expertly encapsulates the stakes and implications of researching possession/exorcism phenomena in the United States. It investigates the influence of exorcism film and television media on "real world" beliefs and practices as contextualized within America's fractured sociability: a country suffering the effects of information illiteracy, wherein cultural truths are fostered by media bombardment and the perceived value/authenticity assigned to media reproduction. The book effectively connects the historical dots between popular horror films and political religious movements, leaving space for future studies to expand their findings within the new media ecology of today.
