Very Short Introductions: Brilliant, Sharp, Inspiring
Emotions are complex mental states that resist reduction. They are visceral reactions but also beliefs about the world. They are spontaneous outbursts but also culturally learned performances. They are intimate and private and yet gain their substance and significance only from interpersonal and social frameworks. And just as our emotions in any given moment display this complex structure, so their history is plural rather than singular. The history of emotions is where the history of ideas meets the history of the body, and where the history of subjectivity meets social and cultural history.
In this Very Short Introduction, Thomas Dixon traces the historical ancestries of feelings ranging from sorrow, melancholy, rage, and terror to cheerfulness, enthusiasm, sympathy, and love. The picture that emerges is a complex one, showing how the states we group together today as "the emotions" are the product of long and varied historical changes in language, culture, beliefs, and ways of life. The grief-stricken rage of Achilles in the Iliad, the happiness inscribed in America's Declaration of Independence, the love of humanity that fired crusades and revolutions through the ages, and the righteous rage of modern protest movements all look different when seen through this lens.
With examples from ancient, medieval, and modern cultures, including forgotten feelings and the creation of modern emotional regimes, this Very Short Introduction sheds new light on our emotions in the present, by looking at what historians can tell us about their past. Dixon explains the key ideas of historians of emotions as they have developed in conversation with psychology and psychiatry, with attention paid especially to ideas about basic emotions, psychological construction, and affect theory.
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Emotions are complex mental states that resist reduction. Intimate and private, yet gaining substance and significance from their social and cultural context, their history is plural. It occupies the intersection of history of ideas, of the body, of subjectivity, and social and cultural history. This book explores its many facets.
