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Arvid Nelson was raised by a pack of wild Nintendo cartridges in the wilderness of southern Connecticut. He worked on several films before deciding to focus on graphic novels. Since then he's written over a dozen titles, including two original series - Rex Mundi, set in 1930s Europe where magic is real and the Catholic Church never lost its grip on power, and Zero Killer, an "alternate present" where the United States never dropped Atom bombs on Japan. He's worked for DC Comics, Marvel Comics, and Dark Horse Comics, to name a few. Arvid lived in Northampton, Massachusetts with a loving wife, a wonderful son, and a large television. Visit him online at arvidland.com.
ZID Nominated at #8 in 10 Comic Book Creators To Watch in 2013 on Newsarama.com (www.newsarama.com/15655-10-to-watch-in-2013-comic-book-creators.html#s4) for his maiden project with Robert Napton, his career with Legendary Comics began with Trick ‘r Treat: Monster Mash late 2015. This work relationship continues with the digital graphic novel prequel to the Netflix movie Spectral: Ghosts of War in 2016, and his biggest responsibility yet, Skull Island: The Birth of Kong in 2017. After a change of terrain with Lost in Space: Countdown to Danger, he is returning to Skull Island for [Kong 2 - to replace with the Kong prequel comic title?]. In his free time, (which is not a lot) you can see him updating his social media accounts with his slice of life comic as a work-from-home dad under the hashtag #DOAWFHD
Drew Edward Johnson has been a professional illustrator for over 20 years, working on comics such as WONDER WOMAN, WONDER WOMAN ‘77, SENSATION COMICS, SUPERGIRL, THE AUTHORITY, BATMAN: LEGENDS OF THE DARK KNIGHT, SPIDER-MAN, FANTASTIC 4, GI JOE, STAR WARS, TOMB RAIDER, & many more. Drew’s contributions to Legendary Comics’ Monsterverse include illustrating GODZILLA: DOMINION, GODZILLA: AFTERSHOCK, the official graphic novel prequel to GODZILLA: KING OF THE MONSTERS, and cover art on the final issue of the KONG: SKULL ISLAND series.
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