This volume examines the use of the image of the Jewish temple in the writings of the Anglo-Saxon theologian and historian, Bede (d. 735). The various Jewish holy sites described in the Bible possessed multiple different meanings for Bede and therefore this imagery provides an excellent window into his thought. Bede's Temple: An Image and its Interpretation examines Bede's use of the temple to reveal his ideas of history, the universe, Christ, the Church, and the individual Christian. Across his wide body of writings Bede presented an image of unity, whether that be the unity of Jew and gentile in the universal Church, or the unity of human and divine in the incarnate Christ, and the temple-image provided a means of understanding and celebrating that unity. Conor O'Brien argues that Bede's understanding of the temple was part of the shared spirituality and communal discourse of his monastery at Wearmouth-Jarrow, in particular as revealed in the great illuminated Bible made there: the Codex Amiatinus. Studying the temple in Bede's works reveals not just an individual genius, but a monastic community engaged actively in scriptural interpretation and religious reflection. O'Brien makes an important contribution to our understanding of early Anglo-Saxon England's most important author, the world in which he lived, and the processes that inspired his work.
This is a study of the use of the image of the temple in the writings of the most significant theologian of pre-Conquest England, the Venerable Bede. Using the whole of the surviving corpus of Bede's writings, Dr O'Brien examines Bede as a historian and considers his exegetical methods.
The authors views on the dates of Bedes various writings are set out in a table in the prefatory matter, which serves the purpose of making OBriens understanding of the chronology transparent for the reader. The book has been edited well and it is very readable. The author has absorbed an impressive amount of secondary material, including several under-appreciated publications by scholars such as Giovanni Caputa and Georges Tugène.
